Apparently, I have been too subtle, so let me be more direct. The best band you’re not listening to is Cross Canadian Ragweed. Period. This is not a subject that is up for debate. It is a fact of life, like gravity or the inherent evil of Republicans. I’ve tried saying, “Hey, people, just go out and buy their live concert CD/DVD “Back to Tulsa,” or borrow it, or rent it if you know of any place that rents that sort of thing, because if you watch that DVD I defy you not to be completely blown away.” I thought that was direct, but maybe not.
So now I must launch the CCRusade. You will listen to these guys, and you will love them, dammit!
For anyone who has been less than diligent in reading things I’ve posted about them before – and shame on you! – let me recap.
Four lifelong friends from Yukon, Oklahoma, the band was formed in 1994, shortly after three of them graduated from high school (drummer and founder, Randy Ragsdale, was still in high school at the time). No, they’re not Canadian. The band’s name comes from a compilation of the names of the members. Grady Cross, Cody Canada, Randy Ragsdale, and original bassist Matt Wiedemann. Jeremy Plato took over on bass shortly after the group formed, though, and got left out of the name game. Which is probably fine, because I can’t figure out how they’d have worked “Plato” into it. The “weed” part may still be relevant, even without Wiedemann, as the guys have always been advocates of legalization of certain, shall we say, herbal recreational smokeables. But as one of their shirts says, “We don’t encourage it, we just suggest it.”
Ragweed quickly formed a strong and loyal fan base in Oklahoma and Texas, primarily with the college crowd. Playing over 200 shows a year, live performances remain the foundation of Cross Canadian Ragweed's success. This is not intended as criticism, but while I love their studio albums and production videos, they pale in comparison to live concert DVDs and in-person shows. You’ve truly got to see them in action to fully appreciate them.
So, what kind of band are they? That’s part of the problem. They can’t easily be categorized, which makes radio stations shy away from them. People’s first inclination is to label them “country,” but they absolutely aren’t. They are nothing like the country-pop garbage that seems to be all Nashville can put out these days, yet they aren’t alternative or metal… so what are they? I tend to think of them as 21st Century Southern Rock. They consider themselves a rock band, but they admit to being heavily influenced by some of the classic country greats. Did you like Lynyrd Skynyrd? That might put you somewhere in the right neighborhood, but update the style to fit a bunch of guys who are now in their early 30s here in 2008.
They’ve had offers to work with Nashville, but there have always been too many strings. You do not tell these guys that they have to conform to a certain look, or record certain songs. You don’t tell them to stop partying quite so hard or refine their shows in any way. If they did that, they wouldn’t be Cross Canadian Ragweed anymore, and one thing they will never do is sell out their professional integrity just for some more radio airtime because some guy in a suit tells them to. This is one of the things Tom and I love best about them.
The other thing we appreciate is their songwriting. Cody writes around 90% of what they record, often in combination with other band members or friends of theirs in the business. You can always tell when someone is performing a song that is meaningful to them, and that’s how it is with every Ragweed show. When you add in the fact that these guys truly are great friends, and so absolutely love what they’re doing, you can see why their live shows are so awesome. In a time when music seems to be computer-generated and generic, these guys are the real deal. They’re unique, a bit rough around the edges, dedicated nonconformists, and incredible individual and collective talents.
(And, as I might have mentioned once or twice, Cody Canada? Goooooooooooorrrrgeous.)
And now, this is what you are going to do. This is not a suggestion. If you love me, and I know you do, you must visit at least five of the links below, and one in each category. And then you will leave a comment here, thanking me profusely and pledging undying gratitude to me for steering you to the most awesome music you have ever encountered.
Turn on your speakers and start clicking!
Studio Videos:
17: This is the one song and video that got some decent play on the country stations, and is how we discovered them originally – what with us being in Minnesota, and them being best-known in the south. It’s been geez, what, about six years ago or so now.
Constantly: This is a really nice video. It’s essentially just a house party and all the sweet and goofy stuff that goes on.
Alabama: This is one of my favorite songs, and I wish they’d done a studio video for it. This is live concert shots, which are nice, but there’s too much “crowd” and not enough “Cody” for my liking.
Don’t Need You: If this wasn’t their first video, it was close. I don’t know the details, but it looks like they just invited a bunch of people to some sort of utility building and threw a party. It has campy, goofy stuff (especially at the beginning), and Tom loves when Cody crashes Randy’s drums at the end. And they all look so YOUNG!
Acoustic, from CMT’s “Unplugged at Studio 330” series, about two years ago, judging by Cody’s tattoos. Yes, I can tell time based on Cody’s tattoos. You got a problem with that? Well, plus they mention being together 12 years, and it’s now 14, and I can still subtract. When I have to. Like if Cody is ever wearing long sleeves. I should also mention that Grady (far left, rhythm guitarist) has much shorter hair now. Also, this is not my favorite look for Cody. I like his hair down, could do without the bandanna, and he’s a bit too beardy here. Still, even with all that… best lookin’ thing around!
Fightin’ For (see the link under “Interview” for the story behind this song)
Interview Clips (also from CMT’s “Unplugged at Studio 330” series about two years ago):
How do you manage to write songs while touring?
What is Cross Canadian Ragweed looking forward to this year?
What do you do after your shows?
How does it feel to write or sing about breakups?
What’s the story behind “Fightin’ For?”
This concludes today’s session in the CCRusade. My work here is done, and I shall sit back and await your many (many) comments singing their praises and thanking me profusely for bringing the glory that is Ragweed into your lives.










































